Skip to main content
Displaying 1 of 1
A perfect day
2012
Please select and request a specific volume by clicking one of the icons in the 'Where is it?' section below.
Where is it?
Map It
Annotations

Cut-paper collage illustrations and spare text celebrate a beautiful snowy day and its many fun-filled activities, from snowball fights and building snowmen to ice skating and sledding before returning home to steaming mugs of hot chocolate. By the creator of The Little Yellow Leaf. 35,000 first printing. - (Baker & Taylor)

Young friends enjoy a day of sledding, snowball fights, and ice skating one snowy day in their hillside village. - (Baker & Taylor)

It snowed.
And snowed.
And snowed.
After it snowed,
everyone
bundled up and
went outside to play.
You come, too!

Carin Berger's exquisite collages illuminate, from dawn to dusk, the perfect winter day.

- (HARPERCOLL)

Large Cover Image
Trade Reviews

Booklist Reviews

The perfect day is a snow day, and Berger, with very special art, portrays it as perfect indeed. Using a delicate collage made from old paper ephemera—catalogs, notebooks, letters, and newspaper and book pages—the look is distinctive. As for the story, well, it's more of a mood. A group of children, almost puppetlike in appearance, run through the snow: Emma is the first to make tracks, Leo skies, Sasha and Max throw snowballs at Oscar. Snowmen are made; snow forts are built. Frozen ice is ready for skating. Then all the children make angels in the snow. Throughout, the focal point is the hilly whiteness. Kids, and even a towering snowman, decorate rather than become the center of attention. Only the double-page spread of 18 diminutive children waving arms and legs into angels is enough to blank out the snow. Readers will love looking at the pictures again and again; there will always be something new to notice—including the faint writing on the snow, courtesy of its former provenance. Copyright 2012 Booklist Reviews.

Publishers Weekly Reviews

"The whole world was white," writes Berger in this hushed vision of a snowy day. Berger's collages, however, are no simple "white": her hilly snowscapes are crafted from lined paper, handwritten ledgers, and typewritten pages in creamy off-whites and pale yellows. Berger follows the activities of various children with birdlike faces, layered in winter plaids, before they "go home to warm hugs and dry clothes and steaming hot chocolate." The pared-down prose both suggests the quiet stillness of a winter afternoon and lends itself to thoughtful consideration of each spread. Lovely. Ages 4–8. Agent: Brenda Bowen, Sanford J. Greenburger Associates. (Nov.)

[Page ]. Copyright 2012 PWxyz LLC

School Library Journal Reviews

PreS-Gr 2—Berger is captivated by the look of the landscape after it has snowed and the interest that lines, shapes, textures, and light add to the view. Her cut-paper compositions build snow-covered hills with ledger-book paper that has been brushed with paint; the pale blue script and lines show through, adding depth and mystery. The text floats down with the flakes in the opening spread. On the following pages, tall bare trees and, later, glowing lampposts add a vertical dimension to the horizontal world. Children emerge singly and in small groups. First the focus is on footprints and the lines from skis and skates. Then it is on the fun of throwing snowballs, making snowmen and forts, and sledding. The climax is a spread of 18 snow angels, after which the youngsters proceed to their respective homes, which are spread out on the hillsides as in a Currier and Ives scene. Berger's brief narrative describes the children's actions; it is the pictures that convey the wonder. A quiet celebration of a phenomenon that transforms everything it touches.—Wendy Lukehart, Washington DC Public Library

[Page 89]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Librarian's View
Displaying 1 of 1